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Celebrating My Journey: Illustrating

Updated: Jan 29

About a year ago, I embarked on a project I had always dreamed of. For a long time, I felt "not ready yet." However, in celebration of my first published illustration work, I want to share a behind-the-scenes look at my artwork in the self-development book Ignite Your Inner Spark by Alpa Kapadia Teli.



The Rewarding Experience of Illustrating a Book


Illustrating a book is a deeply rewarding and enriching experience. This is especially true when the subject matter resonates with you personally. In September of last year, I had the opportunity to work with trainer and coach Alpa Kapadia Teli on her very first book, Ignite Your Inner Spark.


This book focuses on discovering your true self through deep inner work, rather than superficial changes. As someone fascinated by self-help content and personal growth, this project felt like the perfect alignment of my passions and skills. Today, I want to share my journey, insights, and practical tips for creating illustrations for a book, from someone who has just started out in this field 😊.


How the Project Began


one preliminary experiment in the style of the illustrations we explored
one preliminary experiment in the style of the illustrations we explored

The collaboration began when the author reached out to a group of coaches for an assignment. My mum was in that group and picked up her request. Thinking it was for a graphic design requirement, she passed on the information to a fellow designer. This designer eventually recommended me for the job, which turned out to be illustrations. What a full-circle moment!


Alpa needed hand-drawn diagrams and illustrations to better convey her ideas and concepts. It was her first book and my first experience illustrating one, so we were both stepping into new territory. The aim of the illustrations was to serve as visual aids that complemented the text and enhanced the reader's understanding.



Scope of the Project


We agreed on a package of 20 illustrations. The variety of illustrations made it particularly interesting:


  • Recreations: Some illustrations were adaptations of existing images, stock images, or previously AI-generated images collected for this book.

  • Original Concepts: Others required brainstorming and building visuals from scratch.

  • Quote Designs: I also worked on re-drawing quotes to accompany the text of the book.

  • Infographics and Tables: These added structure and clarity to the book's content, helping to guide some of the activities mentioned.


one of the author's original concepts highlighted in the book
one of the author's original concepts highlighted in the book


Creative Process


Starting Point


the final illustration
the final illustration

My process for tackling the illustrations was intuitive. I began with the pieces that felt easiest or resonated the most with me. For example, one of my favorite illustrations from the project was the buttress tree roots, and it was also the first one I completed. This approach of following what "called out to me" kept the momentum going and helped me tackle creative blocks.


Grouping Similar Illustrations


Since the author was on a semi-strict deadline, I had the flexibility to choose the order of my work. I often grouped similar-looking illustrations together and worked on them consecutively. This method helped maintain consistency and efficiency.



Style and Design Choices


Visual Aesthetic



After discussing with the author, we decided on a clean, monoline style for the illustrations. The paper the book was printed on was slightly textured. Overall, we avoided textures to maintain simplicity and cohesiveness with the book’s cover design and overall tone.


To add depth and interest, I incorporated different opacities of black and grey in select illustrations. This decision proved effective, especially since the book was printed in black and white. The grey tones added character without increasing production costs.


Challenges in Conceptual Illustrations


Some illustrations required creative problem-solving, especially when visualizing abstract ideas. For example:



Meaning-Making Machine


Illustration: Representing the complex process of how memories, beliefs, stories, etc., are formed and how we assign meaning to them.



Whole and Hole Self: Depicting the idea of self-completeness and addressing internal voids.


These illustrations took the longest to conceptualize and finalize. I needed to ensure that the visuals conveyed the intended messages clearly and effectively. I used Pinterest to gather inspiration for how I wanted these visuals to look first. Then, I went to my drawing board and tried to visualize how I would like to understand these concepts.


A trick I used was to act as though I was explaining the concept to a child. I asked myself how simplified and visually engaging I could make this. I tried to use visual metaphors wherever possible and keep the illustrations direct.




Key Takeaways & Suggestions


Having done this for the very first time, I learned a lot about myself and the process. Here are some key takeaways:


  • Know the Content Inside Out: Spend time reading and understanding the book before illustrating. Visualize the concepts you are trying to illustrate. The better you grasp the concepts, the easier it will be to translate them.

  • Build a Strong Connection with Your Client: Talk to the author regularly. Ask questions, share drafts, and ensure you’re aligned on the style and tone they envision. This back-and-forth may feel like a lot, but it is key to creating illustrations that truly complement the text.

  • Work Smarter, Not Harder: Start with the pieces that excite you or feel easiest. This builds momentum and confidence, giving you initial easy wins and fresh ideas for tackling the more challenging parts later.

  • Consider Practical Constraints: Always keep production methods and costs in mind. For instance, if the book will be printed in black and white, find ways to add depth using shades of grey rather than relying on color, as I did for this book.

  • Take Creative Liberties (But Communicate Them!): Don’t be afraid to experiment and add your own touch. That is what your client has come to you for. Just make sure your client is on board with these decisions.

  • Be Patient with Abstract Ideas: When working on conceptual illustrations, give yourself enough time to brainstorm and experiment. It’s okay if it takes a few iterations to get it right. Take your time in visualizing, journaling, or discussing these ideas to truly understand them.

  • Stay Organized: Group similar illustrations together and work on them in batches. This ensures consistency and saves you time switching between different styles or themes.



Illustrating Ignite Your Inner Spark was a fulfilling journey that allowed me to merge my love for art with my interest in personal growth. It taught me valuable lessons about creativity, collaboration, and problem-solving.


For anyone looking to step into the world of book illustrations, I hope these beginner insights provide inspiration and guidance, especially if you are starting this journey yourself.


Whether you’re recreating existing visuals or crafting new concepts from scratch, remember that your illustrations have the power to bring stories and ideas to life. And that is something to cherish :)



You can check out the book here ~ Good luck, and I will see you soon! Byeee <3

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